There is a name to Jesus given (Hymn 74) Hymn Arrangement for Piano Solo & SATB Choral Harmony

Tonal grounding is defined by B-flat Major, marked in the score by two flats (B♭, E♭). The music alternates stability on B♭ with expressive harmonic excursions toward G Minor and its parallel relation, B-flat Minor. Harmonically, the progression G → D → C → A → Am → G C culminates in a decisive dominant-to-tonic cadence, establishing definitive tonal repose. At the keyboard, B-flat Major provides a warm resonance widely preferred in winds and vocal hymnody, fitting standard hand spans comfortably.

Targeted at Beginner players (introductory piano syllabus (RCM Preparatory Level)), this score presents rewarding interpretive and tactile hurdles. Attention should center on finding middle C quickly and coordinating simple two-hand question-and-answer melodies. Accompaniment passages containing traditional choral block voicings with cantus firmus projection require subdued dynamics to spotlight the melody. Mechanically, sustain acoustic resonance across stanzas while clearing on cadence rests. Recommended Exercise: clap the rhythm before playing to guarantee steady timekeeping without hesitation. Score pointer: ### Church Accompaniment & Performance Guide

1. Prelude Registration: Play through the opening verse with soft 8' flute and string stops or gentle acoustic.

The temporal design is written in 3/2 (simple quadruple meter), establishing an authoritative quadruple framework where downbeat accents anchor the overarching phrase architecture. The indicated tempo mark of ♩ = 88 BPM (*Tempo comodo*) suggests an atmosphere that is composed with disciplined, graceful rhythm. Interpretively, subdivide internally with relaxed forearm weight to prevent metric stiffness across bar lines.

Created by Margaret Mae Simpson, the composition There is a name to Jesus given (Hymn 74) demonstrates notable craftsmanship within the hymnological choral and organ repertory. Encompassing 32 measures over 2 engraved pages, the work is collated from historic ecclesiastical hymn collections. Authority databases register this work as `mbid-1e485a2c-pianistforum` and ISWC `T-1E4.85A.2C-1`.

Curatorial Repertoire Role: The work serves as a reliable selection for sanctuary services, choral preludes, and devotional ceremonies.

Tessitura & Key Transposition: Beyond the primary engraving in Bb Major, collaborative accompanists can adapt the key: lower voices (alto/bass) benefit from transposing into A-flat Major, while high voices gain projection in C Major. Ensembles may utilize F Major for brass fingerings.

Licensing Information: This composition resides in the public domain worldwide, verified for open study, performance, and recording.